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DNCJ is a comprehensive representation of diverse facets of the industry provides a snapshot of the press, from journalist to reader. Its 1630 entries, contributed by an international team of experts and researchers,
reflect the full range of the press, including art, children, illustration, literature, religion, sports, politics, local and regional titles, satire, and trade journals. DNCJ includes newspapers and periodicals in England, Ireland, Scotland and Wales.
DNCJ contains entries on journals, journalists, illustrators, editors, publishers, proprietors, printers, and topics such as advertising, frequency of publication, magazine day, printing presses, readership, social science and the press, and war and journalism. It has been shaped by the editors and a team of thirteen associate editors in collaboration with the research community. Authoritative new research, extensive indexes, a wide-ranging bibliography and a chronology enhance the coverage of this burgeoning field.
- Sales Rank: #3206395 in Books
- Published on: 2008-12-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 2.40" w x 7.00" l, 4.00 pounds
- Binding: Hardcover
- 1014 pages
Review
“[This book] will quickly become an essential touchstone for work in the field of nineteenth-century journalism and to a wider set of disciplines such as literature, history, and cultural studies.”—John Crawford, Library & Information History
(John Crawford Library & Information History)
Co-winner of the Colby Prize for the best scholarly book of the year (2009) in the field of Victorian periodicals. The prize is awarded by the Research Society for Victorian Periodicals. (Research Society for Victorian Periodicals)
About the Author
LAUREL BRAKE is a lecturer in English and reader in literature and print culture at Birkbeck, University of London UK. MARYSA DEMOOR is professor of English literature at Ghent University, Belgium.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A cultural-studies masterpiece
By Donald Hausrath
Imagine having the scholars, the organization, and the funds to address an admitted "utopian dream" of providing a single 1000 (actually 1014) page source of just about anything related to writing, selling, publishing, and reading of British and Irish magazines and newspapers in the nineteenth-century. Against all odds, a four-year project to do just that was completed in 2009, sponsored by the Royal Flemish Academy for the Arts and the Sciences. It was published by the British Library and Academia Press (Gent). Its 1620 entries came from "a range of professions, from barrister to economist" and provide, for American readers, an historical perspective on aspects of life and writing in the Victorian era that will prove useful to students working in disparate fields. Browsing - which is fun to do in this title - through the best index I have ever seen in a reference book, I come across multiple entries on, for example, Aubrey Beardsley, booksellers, circulating libraries, child labor, Lord Byron, censorship, colored illustrations, comic journals, crime reporting, Charles Dickens, engravers, foreign correspondents, gossip columns, Thomas Hardy, Henry James, journalists, lower-middle class readers, mass readership, New York Times, paper, railways, reading and class, sensation fiction, United States, war correspondents, women journalists and women's suffrage not to mention entries on sports, politics, printers, editors, and publishers. Besides the 100 page bibliography, and 189 page general index, there is a useful listing of relevant - and often hard-to-find - websites and archives, and a separate index of all the illustrators, journalists/editors, distributors, printers, publishers and journal titles mentioned in the work. Joan Crawford, writing in Library and Information History, notes "[This book] will quickly become an essential touchstone for work in the field of nineteenth-century journalism and to a wider set of disciplines such as literature, history, and cultural studies."
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